I won’t put a link to examples because the demos will have reaching for a sick bag.įinally, if you are into pads, pointed me in the direction of Luftrum’s Lunaris. Find out more on the Arturia (opens in new tab) website. Pigments 3.5 runs on PC and Mac in VST/AU/AAX formats.
The main sounds designer is Kevin Schroeder, who has some pretty amazing credits Kevin Schroeder - IMDb. The v3.5 update is free for existing Pigments owners, while new users can currently purchase the synth for the special price of 99/99 (regular price is 199/199). PS: Given the sort of trashy old fashioned electronic / trance stuff I tend to, my goto is DUNE 3. Acoustic guitar sounds have now been centred on the ‘Nylon Sky’ add on to Omnisphere. Our price 19.85 USD £16.63 GBP Buy now Details 47. The patches are designed to compliment each other, helping to create tension and release. So, I’d tick your box for Pigments, but maybe put 'best in class '.Īlso, of course, Spectrasonics essentially focussed all keyboard sounds in Keyscape, and bass sounds in Trilian. Expanse for Pigments 3 explores a wide landscape of cinematic sounds, covering mysterious ambiances, aggressive bass tones and sequences, up to sonorous leads and rich expressive pads. You can almost do a track from some Pigments patches. Pigments is much more ‘edgy’ (‘modern’?), whereas if you look at the user list for Omnisphere is largely about film scoring. I think Pigments is a great synth to have - I love it -, and not all that much overlaps the massive range of sound in Omnisphere. I don’t think there is a ‘best’, as most synths try and target at a niche. Omnisphre, so I’m bad at saying the best.
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